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2/23/09
Wow.
A lot has happened in the last two months. The political scene is
jumpin' and while Bush had all of his problems and screw ups it
looks like Obama is trying to catch up with some of his own. How
'bout those cabinet appointees? Eric Holder for US attorney general?
WTF? He provided clemency for terrorists (FALN, Los Macheteros).
He's also not really into cracking down on voter fraud (acorn etc).
He also played a huge role in getting Marc Rich (fled the country
to avoid racateering charges) pardoned. Steven Chu got appointed
as Energy Secretary. This dude once said that we should have the
same gas prices as Europe ($8.00/gal). Timothy Geitner? He has a
problem paying his taxes. He kinda forgot for like 4 years to file.
Leon Panetta to head up the CIA? The dude doesn't know diddley about
intelligence gathering and analysis. I dunno man. Bush was a bit
of a knucklehead, I guess being a knucklehead is part of a politician's
DNA. How about the stimulus package. Lets tally up what we've spent
so far shall we? Under Bush: 700 billion to bailout the banks/wall
st. About half of it has been spent. The economy still sucks. The
other half is on deck. Now we have the stimulus package. Basically
this 825 billion behemoth is to help jump start the economy and
grease the wheels. They're saying that only 3% is to be spent this
year. I don't get it. If you're going to help the economy, help
the economy. They're also saying that this package is going to be
for the country's infrastructure. But in reality only 3% is being
spent on roads 'n stuff. Then there's the promise of green jobs
and investment in alternate energy solutions (wind, solar etc).
Yet only 2% is dedicated for that. There's 53.6 billion in direct
aid to states for education. Increase in monthly food stamps. Unemployment
benefits get an increase (It'll provide an extra 33 weeks of unemployment
benefits). Seven billion goes to providing broadband to communities.
A shit ton goes to scientific research. Five billion to help weatherize
low income housing. Granted some of this stuff is important but
don't try and lump all this shit into a "stimulus package".
All this aid and programs should be on there own bill with their
own legislation. It's like a spending free for all. Me, my kid,
and my grandchildren will be paying off this gigantic debt. To be
honest I think it sucks. Politics is frustrating, I guess I'm just
an ill informed glutton for punishment :-)
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The
new material is going well. I'm in the midst of writing/arranging
the sixth tune. This stuff is sounding quite a bit different from
the other disks. Believe me it's still very progressive and crazy
but the guitar sounds and synth sounds are very much new. Some influences
include bands like Planet X, Tool, Led Zeppelin, Yes and probably
a few others I can't think of. :-)
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| 6/17/09
Time
for an update. I tell ya I really have to get back into swing
of things with the site.
Anyway,
as I'm searching the deep recesses of my currently dessicated brain
matter I've come upon a couple of faulty synapses that I hope you
may find enlightening. As I fall deeper into the trap of trying
to become a better guitar player I've come across the following.
Practicing is hard, tedious and a bit unrewarding.
Don't get me wrong, I love playing, but I have some fairly lofty
expectations of myself. (don't we all) I pretty much want
to be the best at the stuff that I want to do. For instance
who wouldn't want to have the legato prowess of the great Allan
Holdsworth or Greg Howe? Or how about the pinpoint accuracy
of Steve Morse's alternate picking technique? Or the effortless
sweeping of Frank Gambale or Michael Romeo? The sheer speed
of Rusty Cooley anyone? How about the sincere melodicism of
Brett Garsed or Scott Henderson? This is where my moronalogue
ensues. I think this is where YouTube can become a bit of
a detriment. As an anorexic gazes into the mirror only to
see a candidate for Jenny Craig us guitar players gaze into our
computer screens and are dumbfounded by players like Guthrie Govan
who is absolutely frightening on all fronts. We see all our
faults through another player's greatness. I know I do.
I find that this can really alter the perception of ourselves as
a players. We begin to lose our identitiy as we jump on the
eternal treadmill of playing catchup to all these great players
who we idolize. These idealist fantasies can lead to some really
serious incidents of depression. A shame really. I find that
it really comes down to maintaining a healthy sense of who we are
and how we want to express ourselves through our playing.
Now I'm not saying that we should ignore everybody else and become
isolationist because we really do learn a lot from eachother.
I just think that learning/memorizing a bunch of other people's
music is somewhat counter intuitive to developing your own style.
Lets face the facts, as instrumentalists who create and play challenging
music we probably won't be on Clear Channel or MTV anytime soon.
You might as well stick to your guns and express yourself
your own way and not through someone elses's licks and ideas...but
I digress. Personally my goal for myself has been that I
want to be able to play whatever I want. I don't want any
technique based crap holding me back from expressing my ideas.
If I hear something in my head, I want to be able to replicate it
on the guitar, period, end of story. And over the years through
practice and sheer masochism I think I'm getting closer to that
goal, but man is it slow going.
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I'd
like to talk about a new piece of gear I picked up a while back.
If you play guitar and your a bit of a gear nut like me I'm
sure you have heard about Fractal Audio's AXE-FX. Very interesting
piece. Essentially its a preamp with built effects.
The thing that's extraordiary about it is the integrity of the amp
simulations. They are absolutley light years ahead of any
other modeling gear out there. This is truly an amazing preamp!
I use it only for direct recording, not for live purposes so I can't
attest to its performance in a gig situation but I am comfortable
touting it for studio applications. The layout is very intuitive.
You basically have 12 columns of 4 routing blocks that you assign
a particular amp, cabinet, or effect to and you chain them together
in any order you wish. That's how it works in its simplest form.
You can set up two amps with two different cabinets each with their
own effects and either sum them to mono at the output or go stereo.
It has the obligatory analog and digital I/O and effect send and
returns if you want patch in your favorite box. In addition
midi and 1/4" I/O for assorted controllers and foot switches.
For me the real treat are the amp simulations. These are super
high quality, high fidelity sims that really sound authentic to
me. The tube behavior and essence I feel is represented very
well. The list of amps is extensive and has all the biggies
with a ton of boutiques as well. Each amp's interface is well
thought out from a guitar player's perspective and you can go deep
and I mean real deep into tweak city with these things. You
can even adjust the bias of the tubes in the power amp section.
The cabinet and mic simulations are awesome as well. My favorite
mic is the Royer R-121 ribbon mic which offers so much detail its
mind boggling. I feel bad for the competion, they have quite a bit
of catchup to do to even be on the same planet as Fractal.
Also the support is fantastic. Cliff is always on the forum
and is constantly updating the firmware, offering new simulations
and effects for free. Yep for free. No model packs here.
Once you're part of the AXE-FX family its like Christmas with these
new updates!
AXE-FX
Wiki
AXE-FX
Site
AXE-FX
Forum
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In
other news the new cd is humming along well. Working on the
seventh tune, currently laying down bass tracks. No solos
cut yet as I'm always trying to improve so I can do a good job.
Some of the changes are going to prove challenging to play
over and I'm pretty excited about that. Like I said before
the tunes are heavy, very progressive and melodic. I want
the songs to carry their weight even before any solos go down.
I feel that quality songwriting is paramount in instrumental music.
So I'm doing my level best to make sure that the writing is adventurous
and fun, I'll leave it up to you to form your own opinion when its
done. I'm thinking of maybe uploading some demo quality rhythm
tracks as a bit of a preview of what's to come. I don't know
if that would be a good thing or not though so the jury is still
out on that.
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Things
at UMusic
are going well as we start to head into the summer season.
I have to say that a few of my students have really stepped up and
are turning into monsters. I'm really proud of you guys, you
know who you are. We just had a recital and it turned out
to be a great show! If you're interested in checking out some
of the videos from the show, click here.
That's
all I got for now.
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9/28/09
Hey
all! I hope everyone has had a nice and relaxing summer. Things
have been busy. Trying to get a lot done and sometimes motivation
can be hard to come by sometimes. I did manage to take a very short
weekend vacation with my son a few weeks ago to Raush Creek Off
Road Park in PA. We had a lot of fun and I got to try out my FJ
Cruiser on some green and blue trails. It frankly amazes me what
this vehicle can do! A lot of off camber, deep water and big rocks.
Took a bunch of pics and had a great time with my boy. Projects
around the old homestead are ongoing. Right now working on staining
the deck. I'm hoping to get that done before the cold weather sets
in. Other than that...<moronalogue>
The
practicing has been going pretty well. I've been working on a lot
of new techniques and trying new perspectives to add some depth
to my playing. Its pretty slow going. It seems like when you
first start to be able to play a bit you want to move up to the
next thing that you can't do. It's a vicous cycle that never seems
to end. Also its the last 10% of the technique that is the hardest.
You can go through the moves but its the feel and attitude that
you want to exress through that technique, that is the hard part.
You want the line to come off natural and spontaneous, not forced
and contrived. Then once you finally have the technique nailed you
have to somehow incorporate that line into your musical vocabulary.
That again is another hurdle to jump. Guitar playing is VERY frustrating
sometimes.
I've
been really enjoying the bass lately. Since I've been playing with
the other teachers at UMusic getting ready for our performance (more
about that later) I've found it very interesting looking at playing
in an ensemble as a bass player and having that unique perspective
as opposed to a guitar player. It really is quite different. I do
draw some parallels though between the two. As a guitar player I
often listen to the drummer when playing rhythm as I feel I'm able
to lock up with him better thus fiorming a more cohesive sound.
I think most times guitar players generally play along with the
bass player. For me I'd rather go directly to the source. But I
digress. As a bass player I've really begun to appreciate the role
one plays to establish that bridge between the drummer and the rest
of the band. Locking up super tight with the drummer is so important.
Playing the "right" notes when laying down a groove and
playing the right amount of notes I feel is paramount to a performance.
Also I feel complimenting the drummer and guitar player is important
as well. The bass player should have a melodic role in the band,
not just copping the guitar player's lines all the time. In essence
I believe that while the bass player's role is mostly supportive
in nature I think that while performing this role he should be able
to achieve an identity of his/her own. (my .02)</moronalogue>
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The
new record is going well. I just completed the rhythm trakcs for
the eighth tune. It sounds pretty cool. I wish I could hurry the
process but with all the other stuff going on my time has become
a bit limited. I'm also making sure that all the tunes are
high quality and fun to listen to.
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Things
at UMusic
are going well. The teachers are finally having a performance on
Oct. 3 and 4th. Both days are filled so it looks like we may actually
take this thing out into some local venues which should be fun.
Our sets will include a Jeff Beck medley (Which includes: Know What
I Mean, Airblower, Scatterbrain, Led Boots, Freeway Jam, Bluewind
etc) Frankenstein (Edgar Winter), Hocus Pocus (Focus), Riviera Paradise
(SRV), Yes Medley (Includes: Long Distance Runaround, The Fish,
Heart Of The Sunrise, Roundabout, Tempus Fugit, Yours Is No Disgrace,
Starship Trooper, Perpetual Change, plus more). Basically we took
all the cool instrumental parts of all the medley tunes and welded
them together to create a nice flow. Lou and Tommy will also be
playing 2-3 classical tunes as well. It should be a lot of fun.
Hopefully there will be no trainwrecks caused by the bassplayer
:-).
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11/23/09
I
hope everyone has had a great fall so far. Fall is definitley my
favorite time of the year. A lot of preparation going on for the
oncoming onslaught of winter. The usual raking/blowing of leaves,
the cleaning of gutters etc etc. Fun and frolic abound!! (drips
with sarcasm)
Making
headway on the playing. I've been working through some books by
Frank Gambale which has been a lot of fun. While there is a bit
of cheesiness in his delivery the concepts are very cool and impart
a new perspective. Also I checked out a great DVD of Scott Henderson's
on improvisatioin and phrasing. I highly recommend it. While most
of the concepts are well known, its the way he delivers the ideas
that make it so effective. His delivery is concise and entertaining.
I recommend taking notes during the vid.
I've
been working very hard on upping the technique level while trying
to be melodic and rhythmic. A super tall order as you can imagine.
I really want to improve my improvisation and soloing as I want
to start working out solos for the new disk. Sometimes I feel like
I'm juggling so much shit when it comes to practice. Between staying
up and trying to improve my technique while learning new concepts
and working out over progressions it really can get overwhelming
sometimes (most of the time). Plus bass has its own set of challenges
as well. Eh,l enough bitching for now :-)
Also
I got the chance to see Dino And The Detonators play over at the
Claddaugh last month. My good friend Chris Saas is playing bass
with them and they put on a great show! Dino is a fantastic frontman,
very charismatic and a lot of fun to watch. They also performed
a set of Alice Cooper set as their alter ego "Killer".
They had all the props and crazy stage antics that really made it
very entertaining. I wish Chris the best of luck with these guys!
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Speaking
of the new disk... things have been going kinda slow. I'm in the
middle of writing the drums for the ninth tune. This tune is pretty
cool as I wrote it completely on bass. I figured a new challenge
was in order. So the bass is essentially going to decide the harmonic
disposition of the song. I wrote some parts with some ambiguity
so it should be fun completing the harmony.
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Things
at UMusic have been eventful. We completed our October 3rd-4th gigs at the
studio and they were a lot of fun. Saturday evening's gig was a
bit nerve wracking while Sunday's was a bit more relaxed. It seemd
like the material came off really well and the crowd's reaction
was great. Since additional people wanted to come and check us out
we played again on 11/21. The studio was tightly packed and everybody
seemed to have a great time. The material changed a bit for the
last show. We put a new intro in the Jeff Beck medley (El Becko)
we also cut a little bit of dead weight out of the medley to make
is super tight. We added Santana's Europa. We also added Mahavishnu's
Vital Transformation, which I played guitar on, which was cool.
And we also added ELP's Tarkus.
Our
set list:
First Set-
-Tarkus
-Jeff Beck Medley
-Riviera Paradise
-Frankenstein
-Europa
-Hocus Pocus (classical quotes)
Tom
and Lou's Set:
-Blue Rondo
-Egyptian Danza
-Hoedown
-Czardas
Second
Set-
-Vital Transformation
-Yes Medley
-Black Dog


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